Ceremony – They convinced us to travel: Shame back to France, explosion, Friday evening. Opportunity to find some passing groups.
We were happy to see the festivals resume. At decibels, we were happy. Live music, human warmth, shared excitement. But something is missing. English groups are missing. Covit’s achievement of not having many specific projects in these groups across the rock, rage, class, sound, energy, channel. Brexit obligations. So when we saw the shame play at the explosion ceremony at the end of September, we got the chance.
Because being an English team above talent, Shame is one of our favorite groupsச .ஸ், Among those we like from the first meeting, And whom we always monitor. But such a concert must be earned. And it took a few more concerts to get to shame this Friday.
Hybrid music and dance atmosphere for this eruption
We play on the e-deed with no time to listen, because our lungs do not tolerate bass vibrations because it goes directly to the super park. The “Auvergne trance” awarded to them deserved to sharpen our curiosity. Truth be told, this qualification was well discovered by the devil. A banjo, a pack tube, electro. The Wtf Association was excellent, which rekindled the public’s desire for dance. Unexpected moment during a festival.
Then, we choose to go to the Telcres page and ask. As the Delcross happily mixes blues, rock and Caribbean rhythms, it looks like the evening will definitely be placed under the sign of hybrid music. Here again, we are delighted to find on stage an instrument we rarely see at ceremonies: subbassphone. Looking at the public, the creation is unanimous because the combination of music and interventions by singer Pascal Danas against slavery makes the troops dance and jump. Louis Delcress, for their group, may be an opportunity for the group to discover the role of the Antilian anti-slavery music …
Leaders who are not disappointed
Back to the big stage for Sela Zhou. The set begins with the entry of some musicians. However, her voice begins to sound, but on the side of the stage, she hides and sings in front of her singers behind the curtain. When she finally arrives, it’s with a big smile and unbridled joy. She will tell herself after a while, finally at the festival, that it is a pleasure to be standing without a mask. On the Setlist page, he oscillates between the old primary titles (“Ragamofin”, “Alone”) and the latest titles of his EP. Bedroom. Apparently, these dances and dancers and musicians create rich sound layers and feel the difference between the most intimate melodies in the sound guitar. But in both cases, it is the only celestial body that reflects the solar energy we see. Like the good old days.
Rocky (hybrid music, the theme of the evening we said) mixed with Frankie Coco’s Electro Pop or Cumbia did not succeed in occupying us before Shakespeare arrived. Excessive impatience, especially when you see them coming to make some balances in this group. So we take advantage of the pit being empty to reconnect. And what an appointment …
Punk, bogus, sweat
Shame, shame, shame … Is it necessary to re-present this group? 5 British 25 year olds to break everything, who has the perfect definition of what a punk concert should be and this view evolves over a few years without actually acknowledging anything. I have an accurate recollection of seeing them for the first time. The desire to do energy war. Everyone’s role in the concert. Nothing has changed on that page. They took the devil in self-confidence and performance.
Charlie Forbes is always on the rock behind his stage and his drums, making sure to keep in touch with his friends at a glance. Eddie Green and Sean Goyle-Smith are the wise but powerful melody guides at every end on the guitar. There is no doubt that they took the depth and maturity of the game very seriously. Josh Finerty is the free electron who is always behind his pass, running for miles and jumping across the field. Someone who is not ashamed is in danger of taking himself too seriously, the one who infects us with this electrical excitement and calls us the happiest. Then there’s Charlie Stein.
Same but better
He also retained his place. He also evolved further but always on the same path. I always described him as a boxer with the energy to enter the ring. Consistency in the eyes: Always as soon as you enter the “characters”. The provocation in the corner of the lips: always there, in his air to tell the public “So, are you almighty?”. Anger in the stomach: Still like “tasteless”. When he always jumps in the audience and tears his shirt off. He was always there when he bent down in front of the crowd to catch himself wondering what was going on in front of him. Still there.
To give the audience a few minutes to get back on their feet, there was not a moment of emptiness in this set that the group skillfully guided between punk hysteria and quiet diets. Audiences who always want more, and eagerly. What to do with a code when the band ends up on “Station Wagon”? Evidence of the evolution of these few years: a title in the form of the rise of power, which demonstrates all control, and all the roads that emerge before them. We bet them “at least 10”. It’s been 5 years. Halfway through, we have only one thing to say. Again
“Beeraholic. Friend of animals everywhere. Evil web scholar. Zombie maven.”